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Photographs
Photo montage of the carnage on Boylston Street that Bruck described in Chakravarty's closing
Bruck described Chakravarty's closing argument as ending with a nasheed over a rapid photograph montage of the carnage on Boylston Street. He argued that the juxtaposition improperly emphasized the defendant's foreignness and religious beliefs.
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Bruck cited the montage's juxtaposition with a nasheed as part of his argument that the presentation risked religious and nationality-based prejudice contrary to the Federal Death Penalty Act's nondiscrimination requirement.